Friday, 31 December 2021
At least four anti-coup protesters shot dead in Sudan as security forces raid broadcasters
Mourners pay tribute to Archbishop Desmond Tutu as his body lies in state
Thursday, 30 December 2021
Biden to speak with Putin today at Russian leader's request
Former Afghan President was given 'no more than two minutes' to get ready to flee Kabul
Lebanon's soul has been eviscerated by its financial crisis. Not even children want to play
Hong Kong authorities insist newsroom raids and arrests have 'nothing to do with media work'
As Omicron spreads in India, mass gatherings spark fears of another wave
Alleged Chinese smugglers publicly shamed for breaching Covid rules
Wednesday, 29 December 2021
Russian court shuts down Memorial Human Rights Center, day after sister group ordered closed
Save the Children staff confirmed dead in Myanmar Christmas Eve attack
The cultural moments that defined 2021
Indonesia says it will turn away Rohingya refugees in stricken boat
Taliban bans women from solo, long-distance road trips in Afghanistan
Deadly flooding in Brazil kills at least 20 and displaces thousands, leaving Covid-19 vaccines submerged
Many Latin American countries now have higher vaccination rates than Europe and North America
Tuesday, 28 December 2021
Drugs, violence and racism are creating a 'cocktail of neglect' in Marseille
Israel announces plan to double Golan Heights population, drawing condemnation from Syria
Thousands left homeless and hungry at Christmas as Philippines faces up to climate crisis reality of super typhoon
1,450 Afghan kids were evacuated to the US without their parents. Some are 'never going to be reunited with family'
English Premier League hit by record 103 Covid-19 cases between Dec 20-26
Monday, 27 December 2021
'Massive tragedy' as heavy floods killed more than a dozen in Brazil
China's industrial profit growth tumbles as raw material prices fall
China will tighten rules on overseas IPOs, but won't ban them entirely
Deadly flooding in Brazil displaces thousands
Japan cancels dozens of flights due to snow
Desmond Tutu, anti-apartheid leader and voice of justice, dead at 90
Sunday, 26 December 2021
Minnal Murali, Review: Two bolts from the blue
Minnal Murali, Review: Two bolts from the blue
Minnal Murali’s première at the Mumbai Film Festival, on 16 December, was a grand affair. The venue was the recently constructed Jio World Drive in Mumbai’s Bandra-Kurla Complex, and drinks and snacks were waiting for those who arrived early. The cast and crew were present too. Viewing the film came with an embargo that no reviews should be posted before December the 24th, the day of its release directly through the streaming platform Netflix. Originally made in Malayalam, the film has also been released in Tamil, Telugu, Kannada, Hindi and English languages. Not being exposed to enough Malayalam cinema, I am going with the popular belief that this is the first super-hero film in that language. Let’s give it due credit for presenting a very rational and realistic superhero tale, but let us not forget that realism can often produce ordinary results.
Stitching together a story of two spurned lovers, both of whom get hit by super-charged lightning that gives them powers to move and bend things, the film bestows equal strengths to the two lightning charged individuals. Jaison (guess that is a Malayalam variant of Jason) is a junior tailor, unable to win over his beloved. Selvan is a mentally challenged ‘village idiot’, who nurses a strong desire for a girl who had been kind to him when he was a child, but who has since married, and has no memory of the childhood gesture. These two are hand-picked by the lightning god in a rare planetary configuration, when three planets get aligned. A scientist, who appears on a TV programme, predicts strange phenomena as a result of this three-in-one ‘offer’. Surely enough, lightning strikes them, but instead of being charred to death, they become larger than life figures.
Unaware of his special status, Jaison goes in for medical tests, which result in the measuring devices spinning like roulette tables. Gradually, through a series of humorous incidents, Jaison realises his powers, and begins to use them for the good of the people. He assumes the name Minnal Murali, the title of an unperformed play that his theatre actor father had written, and leaves his insignia wherever he goes, but keeps his identity a secret. On the other hand, Selvan, who cannot believe his luck, is hell-bent on wreaking havoc, if the apple of his eye is not handed over to him on a platter. Occasionally, he too leaves the insignia of Minnal Murali wherever he strikes, to confuse and confound the small town residents. Are there two Minnal Muralis? Or is it a case of Dr. Jekyll and Mr. Hyde? Jaison is unaware that there is another lightning ‘victim’ in the same neighbourhood, who is going to be his nemesis. Inevitably, the two will meet, and clash - two bolts, one of them a nut. Who will win is a nutcracker of a guess.
Originally an idea propounded by Arun Anirudhan, the film is co-written by Justin Mathew. There is nothing unique about super-heroes and their exploits; it is only the novelty of the narrative and the level of special effects that distinguishes them. Here, the narrative has shades of novelty, with the two heroes being firmly grounded, and not involved in any inter-planetary or space odysseys. By making the two players humble and almost nobodies, Anirudhan and Mathew accord credibility to their main characters. However, this is partly undone by the fact that these two persons are co-incidentally hand-picked, in the whole world, and after the strikes, never fully examined, diagnosed or treated medically. It also tests your suspension of disbelief that both are jilted lovers. Moreover, the writers take too much time to bite into the action, which, in turn, bites into our patience.
In his third directorial venture, Basil Joseph (Kunjiramayanam, Godha with Tovino Thomas), jumps into a genre that neither he nor his peers in Malayalam cinema have attempted. He has tried to be different, and to that extent, has succeeded. Special effects, when they do arrive, are in good shape, though they are largely confined to objects flying through the air and metals bending on call. His super-hero is the super-hero of the small-town villagers, not somebody empowered to save the world. He does not even venture out of his district, let alone state or country. He is a good-looker, but not one who sets hearts aflutter. Compared to Marvel and DC avatars, he just does not stand a chance. Should he then be weighed against Rakesh Roshan’s Hindi Krishh films and Mysskin’s Tamil film Mugamoodi? Let us not compare at all. Minnal Murali is a middle-of-the-road venture in more ways than one, and must be viewed with a clean slate. After all, this one is a path-breaker from Kerala.
Tovino Thomas is appealing as Jaison, his second pairing with director Joseph. When the underdog attains superpowers, and uses them with some élan, he draws applause. The film will definitely widen his fan-base. Guru Somasundaram plays Selvan, as confused and mentally challenged as the part requires. It is not a totally credible character, but he pulls it off. Femina (no connection to the women’s magazine) George makes a good and convincing Biji, Jaison’s love interest. Sneha Babu is a scene-stealer as Bincy, the martial arts teacher who also runs a travel agency.
Music by Shaan Rahman and Sushin Shyam is lilting and soothing. Cinematography by Sameer Thahir is above par. Film editing by Livingston Mathew could have done with a length of at least ten minutes shorter than the 2 hours and 38 mins. Art direction by Manu Jagadh should be commended for re-creating a small rural town that seems believable. Costume design by Melwy J. and make-up by Hassan Vandoor are in keeping with the tone and tenor of the film.
How grounded the film is can be judged by the fact the major chase in the film is a speeding auto-rickshaw versus the protagonist, on foot! How open are multiplex audiences across the country to this ‘two bolts from the blue’ kind of fare is something I shall avoid dwelling on, for trade pundits would have waxed eloquent on it, by now. Yet, I cannot help feeling that Minnal Murali is more for the hoi polloi, the single screen audiences, than for those who pay up to Rs. 1,000 for a ticket.
Rating: ***
Trailer: https://youtu.be/Vctn-pq6MEs
from Filmfestivals.com - Hollywood, Independent, Shorts, Videos, Documentary https://ift.tt/3sI3b4e
via gqrds
Minnal Murali, Review: Two bolts from the blue
Minnal Murali, Review: Two bolts from the blue
Minnal Murali’s première at the Mumbai Film Festival, on 16 December, was a grand affair. The venue was the recently constructed Jio World Drive in Mumbai’s Bandra-Kurla Complex, and drinks and snacks were waiting for those who arrived early. The cast and crew were present too. Viewing the film came with an embargo that no reviews should be posted before December the 24th, the day of its release directly through the streaming platform Netflix. Originally made in Malayalam, the film has also been released in Tamil, Telugu, Kannada, Hindi and English languages. Not being exposed to enough Malayalam cinema, I am going with the popular belief that this is the first super-hero film in that language. Let’s give it due credit for presenting a very rational and realistic superhero tale, but let us not forget that realism can often produce ordinary results.
Stitching together a story of two spurned lovers, both of whom get hit by super-charged lightning that gives them powers to move and bend things, the film bestows equal strengths to the two lightning charged individuals. Jaison (guess that is a Malayalam variant of Jason) is a junior tailor, unable to win over his beloved. Selvan is a mentally challenged ‘village idiot’, who nurses a strong desire for a girl who had been kind to him when he was a child, but who has since married, and has no memory of the childhood gesture. These two are hand-picked by the lightning god in a rare planetary configuration, when three planets get aligned. A scientist, who appears on a TV programme, predicts strange phenomena as a result of this three-in-one ‘offer’. Surely enough, lightning strikes them, but instead of being charred to death, they become larger than life figures.
Unaware of his special status, Jaison goes in for medical tests, which result in the measuring devices spinning like roulette tables. Gradually, through a series of humorous incidents, Jaison realises his powers, and begins to use them for the good of the people. He assumes the name Minnal Murali, the title of an unperformed play that his theatre actor father had written, and leaves his insignia wherever he goes, but keeps his identity a secret. On the other hand, Selvan, who cannot believe his luck, is hell-bent on wreaking havoc, if the apple of his eye is not handed over to him on a platter. Occasionally, he too leaves the insignia of Minnal Murali wherever he strikes, to confuse and confound the small town residents. Are there two Minnal Muralis? Or is it a case of Dr. Jekyll and Mr. Hyde? Jaison is unaware that there is another lightning ‘victim’ in the same neighbourhood, who is going to be his nemesis. Inevitably, the two will meet, and clash - two bolts, one of them a nut. Who will win is a nutcracker of a guess.
Originally an idea propounded by Arun Anirudhan, the film is co-written by Justin Mathew. There is nothing unique about super-heroes and their exploits; it is only the novelty of the narrative and the level of special effects that distinguishes them. Here, the narrative has shades of novelty, with the two heroes being firmly grounded, and not involved in any inter-planetary or space odysseys. By making the two players humble and almost nobodies, Anirudhan and Mathew accord credibility to their main characters. However, this is partly undone by the fact that these two persons are co-incidentally hand-picked, in the whole world, and after the strikes, never fully examined, diagnosed or treated medically. It also tests your suspension of disbelief that both are jilted lovers. Moreover, the writers take too much time to bite into the action, which, in turn, bites into our patience.
In his third directorial venture, Basil Joseph (Kunjiramayanam, Godha with Tovino Thomas), jumps into a genre that neither he nor his peers in Malayalam cinema have attempted. He has tried to be different, and to that extent, has succeeded. Special effects, when they do arrive, are in good shape, though they are largely confined to objects flying through the air and metals bending on call. His super-hero is the super-hero of the small-town villagers, not somebody empowered to save the world. He does not even venture out of his district, let alone state or country. He is a good-looker, but not one who sets hearts aflutter. Compared to Marvel and DC avatars, he just does not stand a chance. Should he then be weighed against Rakesh Roshan’s Hindi Krishh films and Mysskin’s Tamil film Mugamoodi? Let us not compare at all. Minnal Murali is a middle-of-the-road venture in more ways than one, and must be viewed with a clean slate. After all, this one is a path-breaker from Kerala.
Tovino Thomas is appealing as Jaison, his second pairing with director Joseph. When the underdog attains superpowers, and uses them with some élan, he draws applause. The film will definitely widen his fan-base. Guru Somasundaram plays Selvan, as confused and mentally challenged as the part requires. It is not a totally credible character, but he pulls it off. Femina (no connection to the women’s magazine) George makes a good and convincing Biji, Jaison’s love interest. Sneha Babu is a scene-stealer as Bincy, the martial arts teacher who also runs a travel agency.
Music by Shaan Rahman and Sushin Shyam is lilting and soothing. Cinematography by Sameer Thahir is above par. Film editing by Livingston Mathew could have done with a length of at least ten minutes shorter than the 2 hours and 38 mins. Art direction by Manu Jagadh should be commended for re-creating a small rural town that seems believable. Costume design by Melwy J. and make-up by Hassan Vandoor are in keeping with the tone and tenor of the film.
How grounded the film is can be judged by the fact the major chase in the film is a speeding auto-rickshaw versus the protagonist, on foot! How open are multiplex audiences across the country to this ‘two bolts from the blue’ kind of fare is something I shall avoid dwelling on, for trade pundits would have waxed eloquent on it, by now. Yet, I cannot help feeling that Minnal Murali is more for the hoi polloi, the single screen audiences, than for those who pay up to Rs. 1,000 for a ticket.
Rating: ***
Trailer: https://youtu.be/Vctn-pq6MEs
from Filmfestivals.com - Hollywood, Independent, Shorts, Videos, Documentary https://ift.tt/3syQRU0
via gqrds
Pope reflects on relationships in pandemic times
Saturday, 25 December 2021
At least 16 people dead in Greek shipwreck
Arrival of Russian Wagner mercenaries in Mali condemned by European governments
Friday, 24 December 2021
Japan says it won't send government officials to Beijing 2022 Winter Olympics
Qatar's ambitions to become 'the art Mecca of the Middle East'
Thailand seizes $30 million of crystal meth hidden in boxing punch bags
Afghanistan's first president wants the world to work with the Taliban
US intel and satellite images show Saudi Arabia is now building its own ballistic missiles with help of China
A Chinese city found a Covid cluster. All 13 million residents are now under lockdown
Thursday, 23 December 2021
13 million put into lockdown in Chinese city
She's nearly 3 but as small as an infant. This is the face of Afghanistan's hunger crisis
Tunisia's former President sentenced to prison in absentia, state media reports
Russia aims for January talks with NATO, US on security guarantees
Wednesday, 22 December 2021
What can we expect from US-China relations in 2022?
UN calls for investigation into allegations of rape during Sudan protests
Alleged 'koala massacre' prompts hundreds of animal cruelty charges
Cruelty debate over zoo exhibition highlights complexities of elephant tourism in Thailand
UK Supreme Court backs Venezuela's Guaidó, bringing him closer to gold reserves
Court orders Dubai ruler to pay his ex-wife $728M to cover security for the rest of her life
Putin says Russia has 'every right' to 'react harshly to unfriendly steps'
US Special Envoy for Iran warns of 'escalating crisis' if talks fail to revive Iran nuclear deal
Tuesday, 21 December 2021
Chinese 'live-streaming queen' hit with huge tax evasion penalty
English Premier League sees surge in Covid-19 cases with 77% of players double jabbed
Monday, 20 December 2021
This 10-year-old asked Santa last year for a Covid cure. This year he has a new request
Teacher raises more than $100,000 for food to keep thousands of children from going hungry over winter break
Leftist Gabriel Boric, 35, wins Chile's presidential election
Pope Francis says domestic violence against women is 'almost satanic'
Why the mask mandate on planes is good for business
International banks in UAE to switch to Monday to Friday work week
Science reporters say new Covid-19 surge is a 'collective issue'
Richard Rogers, Pritzker Prize-winning British architect, dies aged 88
20 astonishing facts about the A380 superjumbo
Analysis: Xi Jinping has been taking on China's capitalists. That will change in 2022
Fearing torture and possible execution, Iranian powerlifter quit team in Norway and ran for his life
Hong Kong sees record low voter turnout
Watch: Spider interrupts Australian news conference
Death toll from Super Typhoon Rai climbs to at least 75 people in the Philippines
Sunday, 19 December 2021
Saturday, 18 December 2021
Retiring Boomers, not lazy Millennials, are driving the labor shortage
The market may be ignoring risk of Omicron shutdowns
Opinion: Our device-driven lives depend on tragedy in the Democratic Republic of Congo
Friday, 17 December 2021
As Cuba reopens to the world, many of its own look to leave
Miss World 2021 postponed hours before finale amid Covid-19 outbreak
'Extremely rare' 17th-century painting of Black woman with White companion placed under export bar
Bill to clamp down on products from China's Xinjiang passes Congress, will head to Biden
Five children dead and four injured after wind lifts bouncy castle into the air
9 reasons to visit Chengdu when China reopens
Remaining missionaries kidnapped in Haiti released by gang, says justice minister
Thursday, 16 December 2021
More Premier League game postponed
Bank of England hikes interest rates to tackle prices
France shuts out UK tourists over Omicron concerns
Nine killed in Dominican Republic private jet crash
France to ban plastic bottles in stadiums to protect players and staff
Top editor at nationalist Chinese state tabloid retires
Tens of thousands evacuate as Super Typhoon Rai makes landfall in the Philippines
Bali only received 45 international tourists in 2021 despite reopening
Spiderman - No Way Home, Review: Spidermen
Spiderman - No Way Home, Review: Spidermen
Indian release today, American release tomorrow. How exciting! Shot during the Covid 19 Coronavirus pandemic. How daring! Third part of a Trilogy – Homecoming (2017) and Far from Home (2019). How challenging, if you are not a die-hard fan and do not remember the previous homings well-enough! A cast that consists of Tom Holland, Zendaya, Benedict Cumberbatch, Jacob Batalon, Jon Favreau, Jamie Foxx, Willem Dafoe, Alfred Molina, Benedict Wong, J.K. Simmons, Marisa Tomei, Andrew Garfield and Tobey Maguire. How impressive! Three Spidermen, five arch villains, a magician, his Chinese mentor, a girl friend, an aunt, a pal, a hostile TV reporter, a universe, a multiverse, 148 minutes. Too much to digest! Spiderman-No Way Home loses track in some of the earlier scenes, but comes back with a bang!
Former special effects artist and a super-hero enemy, Mysterio, real-name Quentin Beck, is attacked by drones of Stark Industries, on London Bridge, but, before dying, he exposes the identity of Peter Parker. This leads to a massive outcry as opinions are divided on his vigilante activities as Peter Parker, even as a TV reporter paints him as a public enemy. His friend Ned and girl-friend MJ’s applications for admission to MIT are rejected on account of their ‘complicity’ in his misdeeds. Moreover, Peter is hounded by the public and media alike. Desperate, he meets in Dr. Stephen Strange in the Sanctum Sanctorum, asking him to wipe out all knowledge of his identity from the minds of the masses. Strange warns him that this will also wipe out his identity from his Aunt May, his girl-friend MJ and pal Ned. Strange’s mentor, Wong, cautions that such a move might open the multiverse, and wreak havoc. Peter decides to bid last good-byes, while Strange begins the spell. The spell goes wrong.
From the open multiverse, five arch-villains land on earth and target Spiderman: Electro (Max Dillon), Willem Dafoe as Green Goblin (Norman Osborn), Dr. Octopus (Otto Octavius), Sandman (Flint Marko) and Lizard (Curt Connors). A battle royale begins to capture the super-villains. When they are just about captured, Spiderman prefers to ‘cure’ them, rather than kill them, and then send them back to their respective universes. Even as he is debating this issue, some of them cut loose and kill Aunt May. Strange and Spiderman find it difficult to battle so many powerful evildoers. Just then, Ned accidentally performs a spell that is part of Strange’s oeuvre and summons two most unexpected warriors from alternate realities to join forces with Spiderman. Now, the battle looks more equally balanced – Spiderman, his two allies and Dr. Strange v/s a handful of dark forces.
Stan Lee and Steve Ditko’s legacy lives on, adapted for the screen once more by Chris McKenna and Erik Sommers. McKenna co-wrote Spider-Man: Homecoming, Ant-Man and the Wasp, Spider-Man: Far from Home and Spider-Man: No Way Home, with Erik Sommers. So, it is a tried and trusted duo that Marvel Comics Universe (MCU) has retained for its 27th movie. Having worked together a lot, the duo best enjoys doing comedy, but finds the multi-genre format of Spiderman equally exciting. Sadly, there is not enough humour in this outing.
There is, palpably, a sense of overkill, with four protagonists and five villains, so much so that one could have expected someone from the Avengers to land-up as well, to balance it at 5:5! Perhaps the writers believe that you cannot have too much of Peter Parker and Dr. Stephen Strange, so their names are mouthed endlessly, repeated every few minutes, sometimes every few seconds. Judging by the whistles at the preview, you, know, they might be right! And then, somebody had to die, so they zeroed in on Aunt May. She was the oldest of the quartet of Peter, MJ, Ned and her. Her death scene brought tears to the viewers and MJ’s recue from a fall, though not spectacular by any yard-stick, struck the right chord among the select audience.
Spiderman - No Way Home Directed by Jon Watts his name? who helmed Spider-Man: Homecoming, Spider-Man: Far from Home and Spider-Man: No Way Home, and will direct the upcoming Fantastic Four. He co-wrote a script for Spider-Man: Homecoming with Christopher Ford. Watts takes his time to narrate the earthly, American story of Spiderman, and the consequences of the great Revelation. Then, he changes gears, and lets the villains loose. There is too much similarity in the magic, villainy and fight scenes, but the ace, where Spiderman becomes Spidermen, dealt in the second half, swings the game in favour of the webmaster. The writers and the director seem to know their fandom well, and cater to their taste time and again, between bouts of humongous special effects. Fan service is never found lacking. As endearing and loving as Peter Parker, MJ, Ned and Aunt May are, the scum of the multiverse are their hateful, hideous, opposite counterparts, making it a battle between white and black, with one shade of grey, when Parker wants to cure the sick ogres and send them back, rather than kill them.
Not new to the body-hugging suit, Tom Holland as Peter Parker/Spider-Man retains his 17 year-old innocent charm, which includes a hint of a lisp. Your heart goes out to him he goes through the tribulations of dealing with the unmasking of his identity, letting the whole world – including MJ, Ned and Aunt May - forget who he is, the death of Aunt May, the near death of MJ, and the dilemma of choosing between killing the villains and curing them. With so much going for him, he can’t go wrong, though the role is in sharp contrast to the one he essayed in Cherry.
Michelle Jones Watson (MJ) is Maree Stoermer Coleman, known professionally as Zendaya. You might have seen her in Spider-Man: Homecoming and Spider-Man: Far from Home too. All of 25 years, she carries her age lightly. Not projected as a stunner, her relationship with Peter appears more of a real love rather than an attraction. And just for the record, for those who had their hearts in their mouths when she was hurtling downwards from the Statue of Liberty, she has no fear of heights.
As both a singer and an actress, Zendaya earned stardom at a very young age, thanks to her leading role on the children's sitcom Shake It Up! The talented young actress modelled for Macy's, Old Navy, and Sears, before appearing in the music video of Kidz Bop cover of Katy Perry's Hot n Cold (2009). She launched her music career with the singles Swag it Out (2011) and Watch Me (2011). In 2014, Coleman was chosen to play the late singer and actress Aaliyah in a biopic, but following a social media outcry over the light-skinned Coleman portraying the darker-complexioned Aaliyah, the actress bowed out of the production, claiming creative differences and worries over the film's music rights. After starring in the TV film Zapped (2014), she made her big-screen debut in the superhero blockbuster, Spider-Man: Homecoming (2017), followed by a supporting role in P.T. Barnum, biopic The Greatest Showman (2017).
One cannot but help observing that Benedict Cumberbatch (Dr. Stephen Strange, a neurosurgeon who became a Master of the Mystic Arts) was cut out to do better stuff. This is cake-walk for him, almost like Marlon Brando playing Superman’s father. Jacob Batalon, as Ned, lost 102 pounds (46 kg) for his role in this film, which gets due weightage to compensate for his loss.
Jon Favreau as Harold "Happy" Hogan, The Head of Security for Stark Industries and former driver and bodyguard of Tony Stark, who looks after Parker, has little looking after to do here. Jamie Foxx as Max Dillon/Electro reprises his role from Webb's The Amazing Spider-Man 2 (2014). Willem Dafoe plays Norman Osborn/Green Goblin, the stubbornest of the dirty five.Dafoe reprises his role from Raimi's Spider-Man trilogy. Alfred Molina as Otto Octavius/Doctor Octopus is recalled from Raimi's Spider-Man 2. Benedict Wong as Wong (originality of nomenclature apart), A Master of the Mystic Arts and Strange's mentor. Mother-figure Aunt May Parker is performed by Marisa Tomei. J. K. Simmons as J. Jonah Jameson, the host of TheDailyBugle.net is just right for the role, avoiding the temptation to go overboard, but unrelenting in his thrust. Andrew Garfield and Tobey Maguire are the two spoilers, which are, by now, common knowledge, yet this writer prefers not to dwell upon their roles.
Cinematography is as smooth as it comes, courtesy Mauro Fiore. Various top angles are well executed. The film is edited by Jeffrey Ford and Leigh Folsom Boyd, who impart to the film a breakneck pace for the major part, and yet land up with 148 minutes. A lot of material must have been left on the floor, and some more needed to be dropped there, especially from the first half. Music by Michael Giacchino is partly lost in the loud battle sounds, but creeps in quietly when it gets a chance.
A sure-shot for the fans of MCU and Peter Parker, Spiderman – No Way Home just misses the mark when analysed as a whole. There are too many clichés, convenient options and stock situations. There isn’t enough humour, something that is sorely missed. Moreover, the battles with the villains are largely repetitive and too-fast-paced for one to grasp and applaud the moves and counter-moves. And these form the long-drawn climax. At the end, however, the writers and the director have left their options open, as evidenced in their two post credit scenes. With a multiverse, the sky is not the limit. Nor is, obviously, the universe. So heroes and anti-heroes can be called and recalled from the entire Marvel Comics Universe, for as many subsequent films as they like. Isn’t it time the company re-christened itself Marvel Comics Multiverse?
Rating: ***
Trailer: https://www.youtube.com/watch?v=rt-2cxAiPJk
from Filmfestivals.com - Hollywood, Independent, Shorts, Videos, Documentary https://ift.tt/3DV1KkZ
via gqrds
Family finds deadly snake in Christmas tree
Tuesday, 14 December 2021
Monday, 13 December 2021
South African President tests positive for Covid-19 with mild symptoms
Sunday, 12 December 2021
Saturday, 11 December 2021
CNN Heroes celebrates 15 years of inspiring the world
Friday, 10 December 2021
Thursday, 9 December 2021
US Navy seized Iranian petroleum products and hundreds of missiles from vessels in Arabian Sea
Wednesday, 8 December 2021
Tuesday, 7 December 2021
Metium (flute) of Zeme tribe

-
Admission open for the academic year 2019-2020 at Rani Gaidinliu Memorial Junior College at Boro-Haflong, Dima Hasao, Assam. Free ...
-
source https://www.msn.com/en-in/entertainment/other/nadeem-opens-up-on-the-wish-that-remains-unfulfilled-as-one-half-of-the-musical-duo-s...